HÉCTOR ARMIENTA
COMPOSER
BIOGRAPHY
“Armienta’s score is lush with cultural influences that highlight the vast musical palette of Latin and Hispanic artistic traditions.” – The Classical Review (Review of Armienta’s Zorro)
Composer Héctor Armienta considers himself neither Mexican nor American, but Mexican American. His work exists in and in between these two worlds. Drawing on his training as a classical composer, his mission is to reinvent classical music by incorporating musical forms from both sides of the border. Whether it be Mariachi, music Azteca, or corridos (folk songs) from the fields of central California, you can find elements of this music in much of his work. This approach allows him to explore what it means to be Mexican American through the lens of classical music and opera.
Armienta’s notable projects include Bless Me Ultima at OperaModesto, Zorro at Fort Worth Opera and Opera Santa Barbara, La Muerte at Ópera Cultura, and Mi Camino – an animated opera film that premiered at Ópera Cultura. Next season, Armienta’s projects include two productions of Zorro at Opera San Jose and Arizona Opera, Coyotes and Rabbits – A Bilingual Children’s Opera with Arizona Opera, as well as an immersive VR opera project titled Campesinos.
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CRITICAL ACCLAIM
"... a tuneful and emotive score..." – The Classical Review
Zorro – "Composer, librettist and history buff Héctor Armienta took about ten years to complete his new opera Zorro... It was a decade well spent based on the world premiere given by Fort Worth Opera…Credit a tuneful and emotive score, powerful use of leitmotif, nimble direction and staging, and a strong cast to put across the opera’s winning mix of humor, action, romance and bilingual flair…Armienta’s score is lush with cultural influences that highlight the vast musical palette of Latin and Hispanic artistic traditions.”
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"...Armienta deploys his harmonic capabilities to score climactic moments..." – San Francisco Classical Voice
Bless Me, Ultima – "the opera offered grand moments to Sunday’s receptive audience... Armienta deploys his harmonic capabilities to score climactic moments between these two characters and on Sunday the orchestra made these moments come alive: Wagnerian textures, Coplandian sonorities, and Philip Glass-like undulations combined in pieces such as “We are born into this world,” a superior duet between Anthony and Ultima in Act Two."
REPRESENTATIVES
Vice President | Classical & Creatives
CEO & Partner | Theatre, Film, TV & Literary
Operations & Finance Manager